{"id":18973,"date":"2026-04-29T05:38:47","date_gmt":"2026-04-29T05:38:47","guid":{"rendered":"https:\/\/www.arteiasi.ro\/?p=18973"},"modified":"2026-04-29T05:40:59","modified_gmt":"2026-04-29T05:40:59","slug":"dominique-nasta-reinterpreting-the-classics-mythic-structures-and-visual-narrative-in-edipo-re-la-marquise-do-and-tabu","status":"publish","type":"post","link":"https:\/\/www.arteiasi.ro\/en\/dominique-nasta-reinterpreting-the-classics-mythic-structures-and-visual-narrative-in-edipo-re-la-marquise-do-and-tabu\/","title":{"rendered":"Dominique Nasta \u2022 Reinterpreting the Classics: Mythic Structures and Visual Narrative in Edipo re, La Marquise d\u2019O\u2026, and Tabu"},"content":{"rendered":"
\n

\"\"The Institute for Multidisciplinary Research in Art (ICMA) at the George Enescu National University of Arts, Ia\u0219i (UNAGE Ia\u0219i), in partnership with the Universit\u00e9 Libre de Bruxelles and the Faculty of Theatre at UNAGE Ia\u0219i, is organising on Wednesday, 29 April 2026, in the Studio Hall of the Faculty of Theatre, Artes Building, a lecture delivered by Professor Dominique Nasta, member of the Belgian Royal Academy, entitled Reinterpreting the Classics: Mythic Structures and Visual Narrative in \u201cEdipo re\u201d by Pier Paolo Pasolini (1967), \u201cLa Marquise d\u2019O\u2026\u201d by \u00c9ric Rohmer (1976), and \u201cTabu\u201d by Miguel Gomes (2012)<\/em><\/strong>. Delivered in French and followed by a question-and-answer session in Romanian, the lecture will take place from 10.00 am to 12.00 pm.<\/p>\n<\/div>\n

\n

The lecture will focus on three significant contemporary films, distinct in form and style, yet approached through the same tripartite analytical framework proposed by Paul Ricoeur in his seminal work Time and Narrative<\/i><\/span>, itself informed by Aristotle\u2019s concept of mimesis. In Ricoeur\u2019s reading, this model unfolds in three stages: prefiguration consists in the articulation of an event, a narrative, or a fact through historical, mythical, and philosophical resonances; configuration concerns structure and aesthetic parameters (shots, editing, spatio-temporality, etc.); and refiguration designates the interpretive process through which the viewer reconstructs and interprets the narrative presented.<\/p>\n<\/div>\n

\n

D<\/strong>ominique Nasta<\/strong> is Full Professor of Film Studies at the Universit\u00e9 Libre de Bruxelles and a Member of the Belgian Royal Academy. She has been chairing the Film Studies Department for more than 30 years and was a Visiting Professor at the Universities of Montr\u00e9al (2013), Strasbourg (2015) and Buenos Aires (2019). She is the author of Contemporary Romanian Cinema: The History of an Unexpected Miracle<\/em> (2013) and Meaning in Film: Relevant Structures in Soundtrack and Narrative<\/em> (1992), and the co-editor of New Perspectives in Sound Studies<\/i><\/span> (2004), Revisiting Film Melodrama<\/i><\/span> (2014), and La chanson dans les cin\u00e9mas d\u2019Europe et d\u2019Am\u00e9rique Latine 1960-2010<\/em> (2019). She has published widely on the aesthetics of emotions and music in films, East-European cinemas, early film melodrama, and the films of Michelangelo Antonioni. She has been series editor for \u201cRethinking Cinema\u201d at P.I.E. Peter Lang since 2002.<\/p>\n<\/div>\n

\n

Lecture coordinated by Scientific Researcher Ioana Raluca Zaharia.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

The Institute for Multidisciplinary Research in Art (ICMA) at the George Enescu National University of Arts, Ia\u0219i (UNAGE Ia\u0219i), in partnership with the Universit\u00e9 Libre de Bruxelles and the Faculty […]<\/p>\n","protected":false},"author":3,"featured_media":18976,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-18973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events"],"yoast_head":"\nDominique Nasta \u2022 Reinterpreting the Classics: Mythic Structures and Visual Narrative in Edipo re, La Marquise d\u2019O\u2026, and Tabu - Universitatea Na\u021bional\u0103 de Arte "George Enescu" Ia\u0219i<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arteiasi.ro\/en\/dominique-nasta-reinterpreting-the-classics-mythic-structures-and-visual-narrative-in-edipo-re-la-marquise-do-and-tabu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dominique Nasta \u2022 Reinterpreting the Classics: Mythic Structures and Visual Narrative in Edipo re, La Marquise d\u2019O\u2026, and Tabu - 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