{"id":12622,"date":"2023-10-09T13:32:35","date_gmt":"2023-10-09T13:32:35","guid":{"rendered":"https:\/\/www.arteiasi.ro\/what-is-to-be-done-methodological-challenges-to-art-historical-research-in-central-and-eastern-europe\/"},"modified":"2023-10-12T08:16:38","modified_gmt":"2023-10-12T08:16:38","slug":"what-is-to-be-done-methodological-challenges-to-art-historical-research-in-central-and-eastern-europe","status":"publish","type":"post","link":"https:\/\/www.arteiasi.ro\/en\/what-is-to-be-done-methodological-challenges-to-art-historical-research-in-central-and-eastern-europe\/","title":{"rendered":"What is to be Done? Methodological Challenges to Art Historical Research in Central and Eastern Europe"},"content":{"rendered":"

\"\"<\/a>On the 12th and 13th of October, we invite you to attend the international conference dedicated to current research methods in art history with the title “What is to be done? Methodological Challenges in Art Historical Research in Central and Eastern Europe”, which will take place in Studio room, Artes building, Costache Negruzzi street (formerly Horia).<\/p>\n

 <\/p>\n

 <\/p>\n

<\/h3>\n

Conference Program<\/h3>\n
\n

Thursday, October 12<\/h2>\n

9.45 \u2013 10.00 \u2013 Introduction<\/p>\n

10.00 \u2013 12.00<\/p>\n

Panel 1: Revisiting socialist art: state-supported institutions, exhibitions, and cultural diplomacy<\/strong><\/p>\n

Tomasz Zaluski \u2013\u00a0Introduction<\/em>:\u00a0In Search of New Agendas. Potential Histories of Art & Modernization Under Socialism<\/em><\/p>\n

Maja and Reuben Fowkes\u00a0\u2013 Thirty Victorious Years: an exhibition of engaged realist art from ten socialist states that didn\u2019t shake the world<\/em><\/p>\n

Irina C\u0103r\u0103ba\u0219\u00a0\u2013 Mexican Art and Cultural Diplomacy in Romania<\/em><\/p>\n

Ljiljana Kole\u0161nik\u00a0\u2013 Yugoslav practices of cultural exchange in visual arts and politics of non-alignment<\/em><\/p>\n

\n

12.00 \u2013 13.00\u00a0\u2013 Lunch break<\/em><\/p>\n

\n

13.00 \u2013 15.00<\/p>\n

Panel 2: Revisiting socialist art: artists\u2019 networks and exhibition histories<\/strong><\/p>\n

Pavl\u00edna Morganov\u00e1\u00a0\u2013 Introduction \u2013\u00a0<\/em>The\u00a0Society of Exhibition under Socialism: what we learnt and what is there to discover in exhibition histories<\/em><\/p>\n

M\u0103d\u0103lina Bra\u0219oveanu\u00a0\u2013 State-supported subversion or acts of deterritorialization? How to describe \u201cthe alternative\u201d in the art exhibitions from the 1980s in Romania?<\/em><\/p>\n

Joanna Matuszak\u00a0\u2013 The Nostalgic Lens: Exhibiting Art of the Global East in the West after 1989<\/em><\/p>\n

Daniel Gr\u00fa\u0148\u00a0\u2013 From (An)Archival to Decolonial: Research into Politics of Memory in Contemporary Art<\/em><\/p>\n

\n

15.00 \u2013 15.30 \u2013 Coffee break<\/p>\n

\n

15.30 \u2013 16.30<\/p>\n

Keynote lecture<\/p>\n

Edit Andr\u00e1s \u2013\u00a0Procrustean Bed or Freudian Couch. Which is the better fit for writing East-Central European Art History?<\/em><\/p>\n

\n

Friday, October 13<\/h2>\n

9.00 \u2013 10.00 \u2013 Keynote lecture<\/p>\n

J\u00e9r\u00f4me Bazin\u00a0\u2013 How to exhibit socialist realism and (post-)modernism together?<\/em><\/p>\n

\n

10.00 \u2013 10. 15 \u2013\u00a0Coffee break<\/em><\/p>\n

\n

10.15 \u2013 12.15<\/p>\n

Panel 3: Social art history and Marxism in a socialist and post-socialist context.<\/strong><\/p>\n

Cristian Nae \u2013\u00a0Introduction: Marxism and Socialism: An Unavoidable Connection?<\/em><\/p>\n

Andrea B\u00e1torova\u00a0\u2013 Art history and its narratives in former Czechoslovakia before and after 1989<\/em><\/p>\n

Jitka \u0160osov\u00e1\u00a0\u2013 Revisiting socialist art history: the intention and reality of post-socialist turn<\/em><\/p>\n

Emese K\u00fcrti\u00a0\u2013 The Anarchist and the Alchemist. Tam\u00e1s Szentj\u00f3by\u2019s (dis)position in Marxism<\/em><\/p>\n

\n

12.15 \u2013 13.30 \u2013 Lunch break<\/em><\/p>\n

\n

13.30 \u2013 15.30<\/p>\n

Panel 4:\u00a0<\/strong>Critical art history in Eastern Europe: race and visual culture<\/strong><\/p>\n

Zsuzsa L\u00e1szl\u00f3 \u2013\u00a0Introduction: The Regional Origins of Situated and Critical Art History: What We Can Learn from it Today<\/em><\/p>\n

Jakub Banasiak\u00a0\u2013 Re-enchanting 1989. How to get beyond Critical Art History and Touch the Magic of the Postcommunist Transformation?<\/em><\/p>\n

Alexei Markin \u2013\u00a0Images of black people in Soviet Union<\/em><\/p>\n

Uschi Klein\u00a0\u2013 Photography during Romania\u2019s communist period: a missed opportunity or just a past time?<\/em><\/p>\n

\n

15.30 \u2013 16.00 \u2013 Coffee break<\/p>\n

\n

16.00 \u2013 18.00<\/p>\n

Panel 5: Critical art history in Eastern Europe: gender, labor, and decoloniality<\/strong><\/p>\n

Karolina Wilczy\u0144ska\u00a0\u2013 Radical Care as Practice of Female Artists in East-Central Europe after 1989<\/em><\/p>\n

Karolina Majewska G\u00fcde\u00a0\u2013 Integrating Artistic Research in Art History: Exploring Artistic Labor under Socialism from a Transgenerational Feminist Perspective<\/em><\/p>\n

Daryna Skrynnyk-Myska \u2013\u00a0Decolonization in the optics of Ukrainian socio-critical art after the full-scale invasion of Russia<\/em><\/p>\n

Radek Przedpleski \u2013\u00a0Post-artistic Geomedia. Reclaiming Jerzy Ludwi\u0144ski\u2019s Environmental Art History<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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